Themes of art song, poetry and spirituality run throughout Poème Mystique, the second solo album by Korean-American violinist Danbi Um. Following Danbi’s acclaimed solo debut album Much Ado – a showcase for her virtuosity and gilded tone – Poème Mystique explores works of lyrical beauty and profound personal expression. Richard Strauss’ Violin Sonata, written in the year he met his future wife, is imbued with romance and intimacy. Ernest Bloch’s Second Violin Sonata, the title work of the album, is by turns ecstatic, spiritual and fantasy-like. Inspired by a dream, Bloch incorporates a vast range of spirituality, including motifs from his Jewish-themed works, the Gregorian Credo, Mass Kyrie and traditional Amen.

Danbi weaves two shorter works amongst the sonatas. Gabriel Fauré’s Après un rêve (“After a dream”), originally a French art song, becomes an exquisite song without words in this transcription for violin. The album concludes with Franz Schubert’s Ave Maria, likewise originally for voice and piano, presented here in an arrangement by August Wilhelm.

Danbi’s refined collaborator is Finnish pianist Juho Pohjonen. Together they deliver a performance that is at once technically virtuosic and emotionally nuanced.

“This disc is a joy for the welcome surprise it brings, not only in its selection of pieces but Um’s crack performance. The violinist’s playing is youthful, brimming with vitality, and a robust presentation. Um has arrived.” – WMR

Much Ado, the solo debut album by Korean-American violinist Danbi Um is as striking for the young musician’s choice of “old world” repertoire as her virtuoso interpretations and the sumptuous sound she draws from her 1683 “ex-Petschek” Nicolo Amati violin. Danbi conjures memories of a musical Golden Age, a sensibility instilled in her by a roster of internationally renowned tutors.

The title track by Eric Korngold’s Shakespeare-inspired suite sits alongside arrangements of works by fellow Austro-Germanic composers Fritz Kreisler and Richard Wagner. Hungarian gipsy music infuses compositions by Johannes Brahms, Jenő Hubay and Ernő Dohnányi, juxtaposed with music by Jewish composers Ernst Bloch, Joseph Achron and Leo Zeitlin.